Saturday, March 30, 2024

Marxism: A Literary Theory, Marxism in English Literature


 

INTRODUCTION:  

W. H. Hudson in his book ‘An Introduction to the Study of Literature’ considers literature as a social product. One cannot detach literature from the social environment in which the author lives and the time during which that work of art is written. Taine, a French critic too emphasized on the study of the ‘race’, ‘milieu’ and the ‘moment’. Karl Marx, a German sociologist propounded a socialist theory in ‘The Communist Manifesto’ published in 1848.

Karl Marx (1818-1883) was a German philosopher, sociologist and economist. Marxist literary theory considers text (literature) as an expression of class struggle. According to Marx, all societies are basically divided into classes and there have always been conflicts between these classes – ruling class and working class, rich and poor, owners and workers, urban class and rural class, men and women etc. Literature expresses this class struggle. Mark his words:

“The history of all hitherto existing society is the history of class struggles. - Freeman and slave, patrician and plebeian, lord and serf, guild master and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one another, carried on an uninterrupted, now hidden, now open fight, that each time ended, either in the revolutionary reconstitution of society at large, or in the common ruin of the contending classes.” 

― Karl Marx, ‘The Communist Manifesto

In the ancient India, Manu has divided the society in four broad classes. According to ‘Manusmriti’ the society is composed of four communities – those who know the Vedas (the Brahmins), those who govern the land (the Kshatriyas), those who trade or do business (the Vaishyas) and those who serve (the Shudras).

Marx opined that literature is not a matter of personal taste or expression. Literature has close connection with social and political conditions of the time. Hence Marxist theory is concerned with the following questions and attempts to answer them.

1.   Is the text a mirror of social values?

2.   Is it a form of propaganda for the ruling classes?

3.   Can literature challenge social norms?

Karl Marx gave the concepts of BASE / INFRASTRUCTURE and SUPERSTRUCTURE.

BASE / INFRASTRUCTURE: The economic conditions of man are the Base or Infrastructure. Tools, machines, labor, raw material, property, commodities etc.

SUPERSTRUCTURE: It includes law, religion, ideology, politics, education etc. It means the way we look at this world. Marx considers superstructure as consciousness, awareness or understanding. Marx rightly said, “It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness.” Our ability to think for ourselves is limited: our ideas are shaped by the material, economic conditions of life.

MARXISM & LITERATURE:   According to Marx, literature belongs to the superstructure. He treats literature simply as a means of propaganda for the ruling classes. For example, in the olden times of Feudal Rule, people loved chivalric romances, stories about knights who fight for honor and win their lady’s love. In today’s capitalistic society, many people enjoy watching James Bond movies, which celebrate the glamorous lifestyle of the modern gentleman, the lady’s man who dresses in expensive clothes and drives fast cars.

Raymond Williams, a modern cultural critic suggested in ‘Marxism and Literature’ (1977) that every historical time period has competing hegemonies. The dominant hegemony (authority) promotes the interests of the ruling classes, the remaining hegemony defends the culture and belief system of the previous era, and the emergent hegemony shares revolutionary ideas that may later become the dominant hegemony.

EXAMPLES OF MARIXISM IN LITERATURE:

Wordsworth’s romanticism and his love for nature and rustic people are well expressed in his poems. The Marxist critic examines Wordsworth’s poems in the light of class struggle. (Daffodils) According to a Marxist critic, Wordsworth raises the voice of the rural against the urban people.

Jane Austen’s novels are viewed as raising women’s voice against the male domination.

MAJOR FOLLOWERS OF MARXISM:  

Marxism influenced many Western writers like Richard WrightClaude McKayJean-Paul SartreSimone de Beauvoir etc. These writers were deeply influenced by Marxist and Socialist theories of the day, and much of this type of reflection is evident in their writings of the time.

CONCLUSION:

In this way, it is believed that literature reveals to us the spirit of the times, the issues that mattered to people. Literature (and entertainment) is about much more than enjoyment or entertainment.

·      It is always a manifestation of class struggle. Marxist literary theory tries to interpret the works of art from the view point of class struggle.

It focuses more on social, political and economic conditions of men than the artistic or aesthetic value of the work of art.

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