The
Emperor Jones
By
Eugene O'Neill
INTRODUCTION:
Eugene
O'Neill (1888 – 1953) is the only American playwright to have won the Nobel
prize for literature, and the only dramatist to have won four Pulitzer prizes. He
won the Pulitzer Prize for Drama for his first play, ‘Beyond the Horizon’ (1920).
He wrote 20 long plays and many shorter plays too. His most important plays are
as follows:
1. The Emperor Jones
2. The Hairy Ape
3. Desire Under the Elms
4. Mourning Becomes Electra
5. Strange Interlude
6. Anna Christie.
SUMMARY OF THE PLAY:
Originally
called ‘The Silver Bullet’, ‘The Emperor Jones’ is one of O'Neill's major
experimental works, mixing expressionism and realism. It also presents the idea
of US imperialism.
‘The
Emperor Jones’ is a 1920 tragic play by an eminent American dramatist Eugene
O'Neill that tells the tale of Brutus Jones, a resourceful, self-assured
African American and a former Pullman porter, who kills another black man in a
dice game, is jailed, and later escapes to a small, backward and superstitious
Caribbean island. There he announces himself as a magician he sets himself up
as emperor.
In
two years, Jones makes himself "Emperor" of that place. A native
tries to shoot Jones, but the gun misfires; and then Jones announces that he is
protected by a charm and that only silver bullets could harm him.
As
the emperor he puts heavy taxes on the local people and does all sorts of
exploitation. In the final scene, Jones is killed by a silver bullet, which was
the only way that the rebels believed Jones could be killed, and the way in
which Jones planned to kill himself if he was captured.
MAJOR THEMES:
Eugene
O'Neill has presented the themes of greed, pride, oppression, racism, slavery
and autocracy through the character of Brutus Jones.
SYMBOL OF THE SILVER BULLET:
The
silver bullet which Jones carries in his revolver is symbolic of his power over
the native islanders. This silver (white) bullet also stands for white people’s
domination over the black people.
He
exploits the islanders by suggesting that he is cannot be killed by their lead (black)
bullets, and now carries a silver bullet to show that if he is ever to die, it
will be at his own hand, with a silver bullet. The silver bullet represents his
false sense of importance, his exploitation of the people of the island.
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